The album is currently being pressed for your delight and satisfaction. I would like to extend my endless gratitude to everyone who has pre-ordered a copy already, especially those who have continued to do so through out this long ‘Dave Hughes Music’ journey. That means a hell of a lot to me.
You can now listen to the track ‘Bleecker St’ on the bandcamp page, and also download it when you pre-order as an added bonus alongside “Freedom of Something”. Bleecker St is the ‘pop’ hit of the album (perhaps alongside Secret Agent) and features the wonderfully supportive Lisa-Marie Ferla on backing vocals (keep listening to the end for her solo verse, it’s magnificent).
Here’s a track by track description of the album, to give you an idea of what to expect when it is released on the 30th of March.
Joe Strummer’s Black Cars
This is a song that I used to play with my Greenock punk rock band “DNR”, written one night back in 2003 after watching The Clash’s docu-film “Rude Boy”. You can listen to this track on Youtube.
Uncool Mental Health
I told myself that I wasn’t going to write about mental health problems on this record, but this song’s treatment of depression and alcoholism was too interesting to put to sleep. This is the first song that I’ve ever written that explicitly uses an old fashion drum machine instead of a live drummer.
I’ve been lucky enough to return to New York in the past year. While I only spent three days in the city, I was able to retrace the steps I took when I lived there and found everything that I needed and loved. I was going for a sound similar to The Wallflowers (Bob Dylan’s son’s band) with this one. I bought an 8-track for demo’ing songs at the end of last year and this was the second song I put together with it. The other, called Sleepwalker, wasn’t finished in time for the album but is definitely something I’ll return to in the future.
A Thousand Words
I originally set-out to release a re-recorded version of my 2008 record ‘Connections’. When we tracked ‘A thousand words’ we took a step back and realised that it might be the starting point for something new. This song is dedicated to my maternal grand-parents and takes a look at how much the world has changed since the summer of 2001.
An experiment to write a country rock song with nonsensical lyrics written after reading an article on how rappers formulate their lyrics. Ended up being a fun demo that we couldn’t really put aside. Has a great guitar sound in the solos.
In the Modern World
The other track left over from the ‘Connections’ settings, and also a B-side for the As You Are single back in 2011. This track has a slightly different sound to the rest of this record, purely because it started out as a demo to try out a folkier sound for the song (including an on-the-fly, first take harmonica solo) that ended up being something really special. Think Christy Moore singing Evan Greer or something.
Freedom of Something
“The freedom of speech is the freedom of though, the freedom of peace and the freedom of war, the freedom of religion and the freedom to believe in absolutely nothing at all”. Listen now on Youtube.
Perhaps the only true love-song on the record. Written for my wife around about the time of our wedding. Originally released on the 7-songs demo tape, but then hidden away in a shoe box until the last day of the Rise, Again sessions.
Live off the Dead
This track originally appeared on Connections but in a much more acoustic nature. With this recording, Gareth convinced me on the merits of drum machines, delay filters and other electronica. It has ended up being a noisy electro-punk affair, and the best way to finish the album.